Canon EF 35mm f/1.4L II USM lense Rental

£50.00
You will earn 50 points with this purchase
Information

What is Included

Camera rentals are sent out in Peli Hard cases for protection

1x Back Cap

1x E-72 II Lens Cap

1x Lens Packaging Note

1x EW-77B Lens Hood

1x 72mm UV Filter

1x Hireacamera USB Drive (Containing condition photographs)

1x iM2075 Flight Case

How to Book your rental:

Simply select your desired rental length using the drop down menu and add to your basket and checkout. Please email us the dates which you wish your rental to start on and we will ship to you via Royal Mail Special Delivery for delivery before 1PM on the day that your rental starts. Please note that if you will need the camera early in the morning then you are advised to start the rental period the day before.

Requirements

Deposit

For all first time rentals we will take a security deposit in addition to the cost of rental to cover the cost of the camera. This will be returned to your card once the unit has been returned to us safely and in good condition. The refund of your deposit is processed the same day as we receive your return and will take 3-5 days to show back on your card. Example you rent the camera for 1 day. We take initial payment for the rental. We then email you an invoice for the remainder of the list price of the camera. You return the camera to us without issues and we refund the deposit back to your card.

Existing customers will be subject to lesser security deposits of £850 per rental. Alternatively existing customers may opt to avail insurance for the rental which will cost in the region of £20 and be subject to £500 excess fee. If you opt to take out insurance then we will bill you after you have booked your rental for the cost of the insurance premium and the fully refundable £500 excess insurance charge. Once the camera is returned in satisfactory condition the £500 excess charge will be refunded back to your card.

We will email you a separate electronic invoice to pay the security deposit after you place your order. Your booking will only be confirmed once this payment has been completed.

ID

For all rentals we require two forms of ID.

Passport or EU driving license and 1 of the following

Latest bank statement

Latest Utility bill

These must show the same address as your payment method and delivery address.

We use an ID verification service to verify the validity of all ID.

Please email your identification to us along with your required booking dates after placing your order.

What happens if you damage the camera during use?

If you return the camera to us with damage or missing items then we will deduct this from your security deposit. Damage will be evaluated by our independent authorised service centre and will be charged at the cost price.

We do allow for usual wear and tear but please treat the equipment as if it were your own. Minor scratches and nicks happen sometimes but it is our sole right to determine these matters and by placing an order you hereby accept our terms and conditions and agree to adhere to the findings of our service centre.

Returns

Returns must be sent via Royal Mail Special Delivery or a signed and tracked courier service with appropriate insurance. You are responsible for the goods until we have received them back. We cannot be held liable for any loss in transit.

A true modern classic: a standard wide-angle lens beloved by reportage photographers for its natural perspective, low-light capability and extraordinary optical performance.

A wide-angle view with a natural perspective

Superb low-light performance and depth of field control

Sets new standards in image quality

Focuses quickly and discreetly

Keep shooting even in tough conditions

Offers a wide-angle view with a natural perspective

A classic, slightly wide-angle 35mm focal length, loved by documentary photographers for its ability to capture a subject within its environment without distorting perspective.

Superb low-light performance

A large f/1.4 maximum aperture lets in two stops more light than an f/2.8 zoom lens, making this an ideal lens for hand-held photography in low-light conditions.

Shooting at wide apertures allows photographers to limit depth of field. Creating such shallow-focus effects is one way that a subject can be made to stand out against a background, and is particularly effective when combined with the lens’s wide-angle field of view.

The lens’s nine-bladed aperture renders out-of-focus areas smoothly and naturally.

Sets new standards in image quality

Blue Spectrum Refractive optics, made from an organic optical material developed by Canon, tackle colour fringing by correcting chromatic aberrations to a degree not previously possible.

Ultra Low-Dispersion (UD) optics and two aspherical lens elements provide incredible sharpness right across the frame – even when the lens is used wide open.

Subwavelength structure coating boosts contrast and guards against flare and ghosting when shooting into the light.

Focuses quickly and discreetly, letting you capture the unexpected

Ring-type USM autofocus establishes accurate focus quickly and in near silence, letting you work without disturbing the scene.

Full-time manual focusing allows focus adjustments without changing focus mode or removing your camera from your eye.

Keep shooting even in tough conditions

Canon’s legendary L-series build-quality inspires confidence and adds durability. Weather sealing guards against dust and moisture, while a fluorine coating protects the lens’s front and rear element from grease and dirt, and makes it easier to clean.

Blue Spectrum Refractive optics

Canon developed Blue Spectrum Refractive (BR) optics to tackle coloured fringing in large-diameter lenses. This bespoke organic optical material is more effective at correcting such fringing than other technologies, like fluorite, Ultra Low-Dispersion (UD) or Super UD glass. Coloured fringing is caused by chromatic aberration – a phenomenon where light of different colours is focused at different points. Using BR optical material in the EF 35mm f/1.4L II USM minimises this effect. Other elements in the lens can then be optimised to give superb sharpness, contrast and resistance to flare.

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